Showing posts with label speed metal. Show all posts
Showing posts with label speed metal. Show all posts

Sunday, August 28, 2016

Bathym and other late 1980s American black metal bands...





The American black metal scene has always played second fiddle to the scenes of other countries (especially the Scandinavian nations). And while the truly legendary bands from the US were few and far between, there were still a lot of noteworthy bands toiling in the underground who had an impact on the direction of the genre. One such band was Pennsylvania's BATHYM. Formed in 1989 by members of underground band SATHANAS, Bathym had a black/death sound that not too many in the American underground were creating at the time.


Sathanas gave rise to Bathym. This is their 1988 demo Ripping Evil

After releasing rehearsal demos in 1989 and 1990, Bathym released the Into Darkness demo in 1990 and the Demonic Force single in 1991. For a few years there, Bathym was becoming known in the underground as purveyors of American black/death.  But due to some of the band members losing interest, Bathym called it a day in 1991. Main man Paul Tucker then devoted his energy to Sathanas again.


This is the title track off of the Demonic Force single
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California's NEKROHOLOCAUST originally started out as Necrophagia in 1984. Stylistically, Necrophagia was a fast, raw speed/thrash that--while extreme--wasn't exactly black metal in the strict sense of the word. They released a crucial demo--1987's It Began With a Twisted Dream.

The story as to the name change is a little murky, depending on who you ask. One version is that the band didn't actually change its name. They recorded material in 1988 and 1989 as Necrophagia, but it never saw the light of day until years later as part of a compilation (2005's In Memories of Fire). Allegedly, the record label (Mercenary Musik) demanded the name change. Another version is that the death metal band from Ohio (fronted by horror movie aficionado Killjoy) was rising in popularity, so the name change became necessary.  Either way, Nekroholocaust is how we now know this band.

Their sound was definitely more blackened and evil than the earlier Necrophagia material. Raw, vicious, loud, and fast, it even holds its own compared to later material. And it belongs in any discussion of American underground extreme metal of the 1980s.


Here is the In Memories of Fire compilation in its totality
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Hailing from Michigan, LUCIFER'S HAMMER were a fairly prolific black/death band that formed in 1986. They initialy started in a straight-forward thrash metal style before transitioning to an intense and raw black/death style. The only recording from their thrash metal days was a 1988 demo entitled Tales of the Midnight Hour, and it was destroyed in a house fire.

Lucifer's Hammer put out several key demos as a black/death quartet, beginning with the 1989 demo Descent Into Beyond. This was followed up by 1992's The Burning Church.


This is The Burning Church in its entirety

In 1995, they released the Hymns to the Moon demo. On this demo, they began to veer away from black metal, and offered up a more death metal-influence style. This demo was eventually followed by the 1997 full-length, The Mists of Time. With this album, they completed the transition to death metal.

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There were many other noteworthy (some for their sound, others for sheer historical curiosity) bands to emerge out of the US in the late 1980s, and I could devote an entire blog just to those. However, I chose to just highlight a couple of key bands above. That being said, a few other old-school black/death/thrash bands that helped shape American black metal include INFERNAL DEATHOCCULT, SAVAGE DEATH, and EXORCIST.

Texas' Infernal Death formed in 1988 and was active for about a decade, with a handful of obscure demos under their belt. Their sound can best be described as an extremely fast black/thrash that owed a debt to Sodom and Venom.

"Satan's Metal" is off of their 1989 demo, Incantations at the Gates

Occult, from New York, only ever released one demo: a very raw and intense slice of noisy black metal. 1985's Bloodthirsty demo has been labeled noisecore by some, and there is some merit to that label. But underneath all of the chaos, there is a black metal template.

This is the entire Bloodthirsty demo

Also from the New York/New Jersey area, Savage Death was a band with stronger death metal credentials than black metal credentials. Formed in 1985, their sound was one that blurred the lines between genres (in a time when this was still standard practice). Resembling a lot of the black/thrash bands of the day, many members of Savage Death later went on to bands like Incantation, Morpheus Descends, and Ripping Corpse.

From 1985's Mass Genocide, this is "Evil Dead"

Exorcist is a bit of an odd band, but their sound was somewhat important in the underground. They were actually a "fake" band with members from other bands that simply recorded under the Exorcist moniker (members included musicians from power/heavy metal band Virgin Steele). However, their sound clearly belongs in any discussion of 1980s black metal. Occult-obsessed speed/thrash might be a better description than black metal, but for 1986 it merits mention in the same breath as, say, Necrodeath or Sabbat


Off of the 1986 full-length Nightmare Theatre, this is "Lucifer's Lament"

American black metal didn't really come into its own until the 1990s, and with the exception of NME, Goatlord, Von, and Profanatica, none of the bands mentioned thus far can really be considered truly essential black metal. But that doesn't mean the above-mentioned bands are entirely unimportant--they all made an impact on the scene in one way or another.

Next time: ALASTIS

Friday, March 16, 2012

Kat

 
No, not the classically-trained female guitar virtuoso The Great Kat.  The Polish black/speed metal band KAT.  The word 'kat' apparently means 'executioner' in Polish.   The band itself actually formed in the late seventies, but didn't really start releasing demos and albums til the middle 1980s (although they did make compilation appearances before that).  They put out a single ("Noce Szatana/Ostatni Tabor") in 1984, but it was their 1986 album, Metal and Hell, which was more blackened sounding than the single and cemented their place among the extreme metal underground.


The title track from 1985's Metal and Hell

It was really with the early material that Kat played a heavily Venom-influenced black/speed metal style.  After Metal and Hell and some singles,  they released an all-Polish language version of Metal and Hell entitled 666.  This era of Kat's existence more or less ends with their 1987 live album 38 Minutes to Live.  In 1988, they released an album that was moving away from their Venom-esque black metal roots and toward a slightly more mainstream speed/thrash sound with 1988's Oddech Wymarlych Swiatow.


From their live album, this is "Czarne zastępy"

They shifted gears again in 1991 with Bastard.  This album is much more mainstream thrash, but very technically accomplished with an almost NY thrash (Anthrax, Overkill, etc.) feel to it.  For the purposes of this black metal retrospective of mine, Kat's relevance to old-school black metal really ends with their live album.  But it is important to note how influential they have been in the Polish metal scene.  Several modern Polish black metal bands have cited their influence and even covered them (Behemoth, North, Grom, and Mastiphal, to name a few).

Select Discography:
"Noce Szatana/Ostatni Tabor" (single) (1984)
Metal and Hell (full-length) (1986)
666 (full-length) (1987)
38 Minutes to Live (live album) (1987)

Next time: SATAN'S HOST

Friday, March 9, 2012

Bulldozer

 Italy's Bulldozer


The Italian black/thrash/speed metal band BULLDOZER had a very un-black metal name, but they definitely had an old-school black/thrash sound.  Their sound fit into the early and mid-1980s scene very well.  In the era of old Sodom, early Slayer, Sabbat, Voor, and other blackened thrash bands, Bulldozer stood out with their lyrical content.  Not only evil, Satanism, and darkness, but party-oriented lyrics were not uncommon (like "Whiskey Time").

From the 1985 album, Day of Wrath

Formed in 1980, these Milanese metallers put out the Fallen Angel demo in 1984 before releasing Day of Wrath on Roadrunner Records the following year.  This unleashed their sound upon a wider audience and they gained some international renown with this album and its immediate follow-ups, 1986's Final Separation and 1987's IX.

The epic "Death of Gods", from 1986's Final Separation

After 1988's Neurodelieri, Bulldozer went on hiatus (I think it was because of the death of founding member Dario Carria).  They weren't very active for much of the nineties, but recently put out an album, 2009's Unexpected Fate.  While I haven't heard it, it's gotten some pretty solid reviews.


The very atmospheric "Heaven's Jail," from the 1987 album IX

Select Discography: 

"Fallen Angel" (single) (1984)
Demo '84 (demo) (1984)
Day of Wrath (full-length album) (1985)
The Final Separation (full-length album) (1986)
IX (full-length album) (1987)
Neurodelieri (full-length album) (1988)
Alive...in Poland! (live album) (1990)


Next time:  VULCANO

Thursday, March 1, 2012

Sodom (and other extreme thrash bands)


An early pic of Sodom

Forming in 1981, SODOM was making waves in the metal underground around the time Venom invented black metal.  Despite now being known as a thrash band, this German band was initially an important part of early black metal.  With the raw production, the screeched vocals, the evil lyrical themes, Sodom's aesthetic definitely fit the description "black metal".  Their sound mellowed a bit over the years (but they're still more aggressive and raw than your average thrash band) into a more traditional thrash sound, but in the early years, the affinity with black metal can be heard.  With demos like 1982's Witching Metal and 1984's Victims of Death, as well as early albums like 1984's In the Sign of Evil and 1986's Obsessed by Cruelty, Sodom's back catalog definitely belongs on the must-listen list of any fan of old-school black metal.

"Witching Metal", from the 1982 demo of the same name

Select Discography
Witching Metal (demo) (1982)
Victims of Death (demo) (1984)
In the Sign of Evil EP (1984)
Obsessed by Cruelty (full-length) (1986)
Persecution Mania (full-length) (1987)

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American thrash legends SLAYER may not seem to fit most people's definition of black metal, but it is unmistakeable that their very early stuff (1983's Show No Mercy, 1984's Haunting the Chapel, 1985's Hell Awaits) had a more occultic, sinister vibe to it than the stuff from the mid- to late-1980s.  The themes were more obviously Satanic and evil, the production values very similar in sound to bands like Hellhammer and Bathory, and even the imagery utilized by the band itself seems to fit in with the whole black metal aesthetic.  Slayer has even been cited as an influence by various bands in the black metal scene today.

Off of their first album, this is "Black Magic"

Select Discography

Show No Mercy (full-length) (1983)
Haunting the Chapel EP (1984)
Live Undead (live album) (1985)
Hell Awaits (full-length) 1985)

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Like Sodom, the German band DESTRUCTION made an impact on the early 1980s extreme metal scene.  Their sound was less black metal than Sodom's, but all of the elements were still there.  You could call their 1984 EP Sentence of Death and their 1985 album Eternal Devastation old-school black thrash, but like Slayer their sound eventually became more of a mainstream thrash sound.

Destruction's legendary song, "Total Desaster"

Select Discography
Bestial Invasion of Hell (demo) (1984)
Sentence of Death EP (1984)
Infernal Overkill (full-length) (1985)
Eternal Devastation (full-length) (1986)

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The Brazilian legends SEPULTURA might be a bit of a stretch, but I contend that if you listen to the 1985 EP Bestial Devastation and the 1986 album Morbid Visions, there is a very strong old-school black/death feel to them.  At this early point in their career, Wagner "Antichrist" Lamounier was briefly their vocalist before he went on to form Sarcofago, so I'd say their black metal credentials are pretty solid.  Just go back and listen to these two early releases, and you'll see how it connects to old-school black metal.

From 1985's Bestial Devastation, this is "Antichrist"

Select Discography
Bestial Devastation EP (1985)
Morbid Visions (full-length) (1986)

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There are a slew of other extreme thrash bands that had a hand in influencing the development of black metal back in the days before thrash and black and death metal had all formed into distinct camps.  I would say that Quebec's VOOR, Iceland's FLAMES OF HELL, England's DELIVERANCE, and the Czech band TÖRR all had an extreme thrash sound that is part of the story of old school black metal.

Voor's "Evil Metal," from the 1985 demo of the same name

From Flames of Hell's only album, 1987's Fire and Steel

Deliverance's "Tongues of Lies," from 1989's Evil Friendship



Off of their 1987 demo, Witchhammer

One could probably make the case that other extreme thrash and speed metal bands influenced the development of black metal---like Post Mortem and Impaler---but for the sake of space, I won't go into them all.


Select Discography of additional extreme Thrash Bands:

Deliverance, Devil's Meat (full-length) (1987)
Deliverance, Evil Friendship (full-length) (1989)
Flames of Hell, Fire and Steel (full-length) (1987)
Törr, Demo 1984 (demo) (1984)
Törr, Witchhammer (demo) (1987)
Törr, Gang live (demo) (1989)
Törr, "Kult ohně" (single) (1989)
Voor, Evil Metal (demo) (1985)
Voor, Demo #2 (demo) (1985)



Tomorrow: POSSESSED

Saturday, February 25, 2012

BLACK METAL!

Let me begin by saying I am obsessed with black metal.  I have been a black metal fan since I was 19, and I am now in my thirties.  I am constantly on the lookout for new bands, as well as trying to learn more about older bands that are no more.  This blog will be my year long tribute to the thirtieth anniversary of black metal.



this is Venom, by the way

The story of black metal begins with the English band VENOM.  They formed in 1978, and were interested in playing heavy metal in the vein of bands like Iron Maiden and Judas Priest, with some punk influence thrown in as well.  Unlike some of the other NWOBHM bands of the day, Venom had more overtly Satanic lyrics.  1981 saw the release of their first album, Welcome to HellWelcome to Hell was atmospheric, Satanic speed metal.  It was pretty much unlike anything ever attempted before.  Imagine the dark mood and lyrics of early Black Sabbath and the raw intensity of Motorhead, and you've more or less nailed Venom's sound.  This album laid the template for all extreme metal since.  But it was Venom's second album that is of importance here....



Venom's 1982 album, Black Metal, was a continuation of the style of Welcome to Hell, but now this style had a name: black metal.  While thrash metal and death metal drew from Venom, black metal took stylistic elements and the name of their genre from Venom.  After these two albums, 1984's At War With Satan continued this proto-black metal sound.  Venom's sound after that more or less became a more generic speed metal.

This is "Witching Hour" from Venom's first album.  An excellent example of their sound.


 
This is the song that gave its name to an entire genre.





"Warhead", from Venom's 1984 single of the same name.  It's a slower track, but still has that old-school black metal vibe to it.



These songs give you a good idea of what Venom's early work sounded like, as well as how black metal sounded at its birth.  So, with 1982 giving the world the term "black metal", I am celebrating thirty years of black metal in 2012.  I will do a band a day (some bands will get more than one day) until the end of year (or November 1, which is the day Black Metal was released back in 1982).

Select Discography

Demon (demo) (1980)
Welcome to Hell (full-length) (1981)
Black Metal (full-length) (1982)
"Warhead" (single) (1983)
At War With Satan (full-length) (1984)
Possessed (full-length) (1985)


Tomorrow:  BATHORY

HAIL!  \m/